COBRAH’s Good Puss is like stumbling into a neon-lit underground club where inhibition goes to die. Swedish provocateur, COBRAH, serves up a visual feast that’s part art installation, part hedonistic manifesto. It’s raw, it’s unfiltered, and it’s dripping with that unapologetic vibe we all appreciate.
Good Puss is a sensory overload of pulsating beats, psychedelic visuals, and a relentless celebration of sexual empowerment (sprinkled with some bondage and kink). There’s a rebellious streak running through it that resonates with my own disdain for convention. COBRAH’s fearless exploration of taboo subjects and her embrace of provocative imagery would strike all the right chords.
The video isn’t just about shock value—it’s a bold assertion of self-expression and liberation. It’s about owning your desires, flaunting your flaws, and daring anyone to judge you for it. In that sense, COBRAH isn’t just making music; she’s carving out a space for uninhibited authenticity in a world that often prefers conformity.
So, in a world where the line between vice and virtue blurs in the glow of neon lights, Good Puss isn’t just a music video—it’s a “fuck-off” to the mundane, a salute to the primal urges that drive us all. And in that chaotic, vibrant universe, COBRAH’s electrifying anthem would find a raucous welcome.
Or maybe it’s just about good pussy.
—VA
I don’t want the people at church to know I do this. Please don’t use my real name or photo.
